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see thru songs

by The Penguin Party

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1.
the girl with the backpack jumps wide-eyed from the train like she's learning parachuting in a burning plane and she runs all the way from the station to the bar downs a quick budvar and picks up a guitar she days she likes a little panic, says it gives her an edge makes her little stage feel like a window ledge she says "it's someone else's turn to be me cos there are lots of other people who I'd really like to be and while I'm being someone with a bit more clout someone else can haul my baggage about because it's someone else's turn to be me" the man with the glass eyes looks through windows all day if you ask him what he does he doesn't know what to say then he runs to the gym and he runs off the flab then runs down to the bar and he runs up a tab and thinks "it's someone else's turn to be me cos there are lots of other places that i'd really ike to see and while i'm seeing something that i've never seen someone else can glare at this miserable screen because it's someone else's turn to be me" six months later they meet in the same london street on her way to the gym she runs square into him as they get up from the floor he feels he's seen her before comes and watches her play and finds he knows what to say and so they talk about plans and they leave holding hands she moves into his flat and for two decades that's that he says "i once was a mug but now i'm a cup and you are the saucer that's holding me up" they're doing just what they did with an additional kid who thinks "it's someone else's turn to be me cos there are lots of other places that i'd really like to be and while i'm living it up where it's all going down someone else can fester in this tedious town because it's someone else's turn to be me"
2.
You took your time didn’t you? You never lied like the others used to And I never really knew you But now your life story’s suddenly see-through I guess that’s ok Because there’s nothing that we can do Except wait Till we’re beaten, black and blue Your tattoos tell a tale or two You loved your mam like I never could do And the bright lights would sometimes blind you But I knew you’d always come to me rescue We just needed more time But that’s the one thing I can’t give you And so I’m left here Beaten, black and blue Even though you’re half the reason that I never did much with my life You always gave me everything ‘cos you were never sure what I’d like I wish I’d kept it ‘cos it’s not the sort of thing you can buy now So goodbye now I think we know where we stand You took your time didn’t you?
3.
These lines are short So I can get them out through my clenched teeth: Just like a chorus Coming round again Coming round again, again Just like a chorus Coming round again Coming round again, again It’s hard to play along But was I always wrong The bruise you left was real Its taken time to heal Just like a chorus Coming round again Coming round again, again These lines are short So I can get them out through my clenched teeth I didn’t always do What you’d’ve liked me to But why treat me so rough? I thought I’d done enough It’s hard to play along But was I always wrong You left a bruise that’s real It’s taking time to heal Just like a chorus Coming round again Coming round again, again Man hands to man Step by step on down to your own hell Back in the van And don’t forget to take your kids as well
4.
mirrorball 02:44
sometimes i don't reflect in mirrors i just don't give off light cos if you spend too long reflecting you flicker out of sight but other times - I gleam like polished brass and other times - my head's as clear as glass because a mirrorball's just seven years' bad luck until it's hit by a light in the dark sometimes i don't appear in pictures my understudy's in place he has a number of my features but doesn't have my face but other times - i can just be myself leave out the act - the the mask upon the shelf because a picture isn’t worth a thousand words until it’s struck by a flash of light sometimes i am the poor relation i don't know what i'm worth and why would i believe in Heaven? when i found you on earth and thanks to you - i know just what to say and thanks to you - I fall in love everyday because a mirrorball's just seven years' bad luck until..... sometimes i can't complete my sentence
5.
Seems to me you passed me in the night And floated out of sight A ship of fools left floundering around then run aground An island far away Where no one wants to stay But no one ever leaves in case the current drags them down There's no way you can win this inhuman race What we need's a reunited state of grace And I think we'll end up in the self-same place We'll be in a re united state of grace Seems a big hand parted the Dead Sea Supporting you and me And we were lost and tossed to our great cost internally When we hit the beach Our home was out of reach The blind giving the bland a guiding hand and eyes to see And I think we'll end up in the self-same place See you in a reunited state of grace From the shrapnel made of bits of broken heart Thrown together just as we were thrown apart No man is an island; don't surround yourself with sharks Tell her all your sweetest nothings; leave out all your sour remarks You don't have to both be diamonds, you don't have to both be rocks Don't lock up your hearts of gold in separate vaults with separate locks Use your gentlest persuasions, don't use blackmail and bribes Tell her all your juicy stories, leave out all your pithy jibes No way can we both win this inhuman race Head towards a reunited state of grace We can turn the other cheek and not lose face We'll be in a reunited state of grace From the shrapnel made of bits of broken heart Thrown together just as we were thrown apart Two directions up the same old piece of track One way forward 'cos you know you can't go back
6.
lullaby 01:38
7.
it’s not the change that haunts me but the things that stay the same the ones who didn’t move away the bar that only changes name the world belongs to someone else the roads we took are gone and someone dug the garden up and someone thought the house looked wrong back to the elephants’ graveyard on one last excursion back to the rusty old junkyard the whole trip as one long diversion back to the elephants’ graveyard the journey ends where you departed back to the swing in the backyard around the world and back to where you started I stand and watch the conga line snake into the past I wish that I had joined in time I was too young, they moved too fast back to the elephants’ graveyard on one last excursion back to the rusty old junkyard the whole trip was one long diversion I went away and made a life When I came back you’d gone You took a husband, lost a wife You sold the place up and moved on back to the elephants’ graveyard on one last excursion back to the rusty old junkyard the whole trip as one long diversion back to the elephants’ graveyard the journey ends where you departed back to the swing in the backyard around the world and back to where you started
8.
she smells 02:17
She smells like you And I wonder if she's got the things you've got She smells like you And I wonder if she'll be here when you're not And now I'm going off my head Retracting things I never said Undoing things I never did Unearthing things I never hid You wouldn't get into my bed She wouldn't get out of my head And now I'm on my own instead She laughs like you But the times that we weren't laughing we would row She laughs like you And I wonder if she's laughing at me now? My friends have told me I'm a fool And that I'm using both of you They say I'll get what I deserve Just playing her as a reserve Although we've been this way before And now you're showing me the door There's something I must know for sure: She smells like you And I wonder if she's this fresh every day She smells like you Is she getting up your nose in the same way?
9.
All these people working at the weekend All these people writing on the walls Everybody shouts And everybody pouts Everybody kicks you in the balls CHORUS: Oh yeah! We’re going back to Grandma’s Oh Yeah! We’re walking in the rain Oh yeah! We’re gonna fit the jigsaw Oh yeah! We’re going back again All these people whining on the weekdays All these people sleeping on the train Text instead of speech Know instead of teach Everybody’s showing you their pain (no thanks) CHORUS: Oh yeah! We’re going back to Grandma’s Oh Yeah! We’re walking down the lane Oh yeah! We’re gonna quit the bourgeois ("what's bourgeois?") Oh yeah! We’re going back again All these people leaping to conclusions All these people shouting into phones Everyone’s in groups And everybody snoops But everybody wants to live alone CHORUS: Oh yeah! We’re going back to Grandma’s Oh Yeah! We’re going back for tea Oh yeah! Go back up on the see-saw Oh yeah! She’s gonna spoil me Oh yeah! We’re going back to Grandma’s Oh Yeah! We’re walking down the lane Oh yeah! We’re gonna quit the bourgeois Oh yeah! We’re going back again
10.
11.
I don't know how to start cos I won't know when to stop and I don't know what to say cos I won't know what to drop but my hands are very big and my head is very full and my mouth is working hard but I'm only spitting bull grab its horns - have a cow cos I think I'm ready now for my close-up I'm ready for my close-up Mr DeMille-again it's time to turn my nose up at what's making me ill-again all the craggy lines that I've carved out over time and all the numbered greying strands and the backs of both my hands and the stubble and the spot and the teeth I haven't got In my close up I didn't have the gall for the monsters in the hall So I hid under my bed for a dozen years instead watched the world from the floor through the crack under the door sick of choking on the fluff i'm coming out, i've had enough Now I'm up and I'm back And I'm ready for my crack At my close up I'm ready for my close-up Mr DeMille-again it's time to turn my nose up at what's making me ill-again all the craggy lines that I've carved out over time and all the numbered greying strands and the cuts on both my hands and the eyes that always pierce when i don't mean to look fierce In my close up i'm gonna know more than your shoes i'll show the face i couldn't bear to lose i'm going to get some inspiration i'm gonna switch off my playstation i'm on a 4-star caffeine buzz i'm only doing this for us I'm ready for my close-up Mr DeMille-again it's time to turn my nose up at what's making me ill-again all the craggy lines that I've carved out over time and all the numbered greying strands and the backs of both my hands and the stubble and the spot and the teeth I haven't got In my close up

about

…intelligent left-field pop …compares very favourably to the work of The Montgolfier Brothers…highly tuneful and charming, with just the right air of quirkiness to rank it as one of the better nostalgically-flavoured records of recent times… Leonard's Lair

…cool, engaging release…it’s a distinctively British take on pop craftsmanship... Notlame.com

…very catchy, very charming…The vocal interplay throughout recalls the Difford/Tillbrook dynamic of Squeeze. EXCELLENT!!!...Koolkatmusik.com

…very English nostalgic music hall pop…a charming set of pop that will sit well with ye merry anglophile power pop fans…Powerpopaholic.com



…unmistakable ‘out-of-its-time’ production… Songwriter Dave Milligan (of Arco fame) leads us through a collection of sticky hooks, quirky arrangements and choruses that insist on taking up residence…(you’ll be singing these songs in the shower)…sun-drenched drives in the country, with the windows down, will be enhanced. Leicesterbangs.com


With a decidedly British flair, Penguin Party prove they can play stylistic pop-rock …varied influences and genre-hopping arrangements…Delusions Of Adequacy



cooler than a real penguin’s party....more quintessentially British than fish and chips, red phone boxes, or six pints of bitter on a wet Saturday night down the pub...quirky and individualistic, it is also engagingly charming...Dave Milligan taps into a rich heritage of British pop to produce a memorably tuneful, instantly absorbing, collection of See Thru Songs...literally reels you in...lurking within the album are cleverly constructed lyrics about all manner of human experiences...blogcritics


Warning. Just like all well written pop you will find yourself singing these songs at highly inappropriate moments...examiner.com



...packed full of typically British pop charm...quirky but stylish...classic observational pop..vocal acrobatics...beautifully and sensitively crafted...poetic lyrics...can be thought provoking and evocative as much as it can be childlike and coy...a strange but nicely rewarding album...toxicpete.com

credits

released January 1, 2008

Dave Milligan - vocals, guitars, basses, drums, keys, etc,etc



Also featured:

Gareth Hall - Bass, Guitar, Beats and Drones on USofG. Bass on Someone Else's Turn

Tudor Davies - Hammond and Moog on Someone Else's Turn

Chris Healey - Harmonica on She Smells

Danny Scott - treated Acoustic Guitar on Beaten, Black & Blue

Matt Tassell - Acoustic guitar on She Smells

Maddie Milligan - Backing vocals on Goin' Back To Grandma's



All songs written and produced by Dave Milligan

except Lullaby which was written by Chris Healey: Beaten, Black & Blue which was written by Danny Scott: and United State of Grace which was written by Dave Milligan & Gareth Hall

license

all rights reserved

tags

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